3. Using An Empty Upside-Down Pail As An Improvised Drum, How Are You Going To Tap The Instrument To

3. Using an empty upside-down pail as an improvised drum, how are you going to tap the instrument to provide a whole and hollow sound similar to the bass drum? * A. tap the sides of the pail’s body B. tap the edge of the pail’s bottom C. tap the center of the pail’s bottom D. tap the mouth of the pail’s opening 4. Arrange the following steps below from first step to fourth step in creating a written/notated rhythmic accompaniment: * I. Identify the number of beats per measure and the kind of note that receives one beat; II. Plot the kind of note that receives one beat in a blank measure; III. Add the note values to check if the final output matches the time signature A. I, II, III B. I, III, II C. II, III, I D. III, II, I 5. How would you explain the importance of Cordillera musical instruments? * A. They are used for rituals, important events, and recreation B. They help to express the emotions of a person C. They are used only to provide entertainment D. They serve as designs in their houses 6. Which of the following is the effective way of playing improvised tongatong using 1 liter plastic bottle? * A. Hold the neck of the bottle and strike the bottom to a pillow B. Hold the cap of the bottle and strike the bottom to the sand C. Hold the bottom of the bottle and strike the top to a hard floor D. Hold the neck of the bottle and strike the bottom to a hard floor 7. Which of the following should you consider creating a melodically ascending and rhythmically simple accompanim